Harvey Mason Jr., CEO of the Recording Academy, says AI has become omnipresent in music production just 18 months after the technology's disruptive potential emerged.
The music industry faces new questions about how to recognize and categorize AI-generated work as the technology becomes embedded in production workflows.
Mason, a legendary producer himself, acknowledged the shift during a recent conversation about the Grammys' approach to artificial intelligence. The Recording Academy must now decide how to handle submissions involving AI tools—whether in composition, production, mixing, or performance—and determine eligibility for awards that have historically recognized human artistry.
The challenge extends beyond awards eligibility. Record labels, artists, and streaming platforms are simultaneously wrestling with copyright issues, compensation models, and the definition of creative contribution when AI assists in music-making.
The Grammy Awards, held annually and watched by millions, carry significant influence in shaping industry standards. The Recording Academy's decisions on AI eligibility could set precedent for how the broader music community classifies and values AI-assisted work going forward.
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Kevin O'Leary will cut a 40,000-acre AI data center project in Utah roughly in half following backlash from state lawmakers. The scaled-back facility addresses concerns about the project's massive footprint.
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Alibaba launched a preview of Qwen3.8 Max, a 2.4 trillion parameter model positioned as comparable to leading AI systems. The company plans to release it as open-weight soon.